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Popular comparisons. The switch is under the grille. Jan 28, 2013. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. #Sweetwater #Shure Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. But with good noise-handling and clever engineering, the KSM9 brings all of these qualities to the stage. The passive diaphragm obviously moves in response to sound waves, and thus transmits sound waves into the rear chamber, but it affects low and high frequencies differently. Your IP: Shure KSM9 has two modes: cardioid and supercardioid. Though many singers and softer styles of music will benefit from the extra detail and clarity of a condenser. Shure KSM9 Multi-Pattern Condenser Microphone. . Try a good quality boom stand, with a tripod base like the K&M 210/2. Called the Diaphragm Stabilisation System, or DSS, this smart technology protects the active diaphragm, preventing excessive excursions or rocking motions during plosives or physical knocks. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. But theres one major difference between these two mics. So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it. The KSM8 is not necessarily an upgrade. Thats a tough one. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. Importantly, the mic provides a pretty consistent 5dB of rejection of sources at 90 degrees right across the frequency range, so that whatever off-axis spill is captured remains fundamentally uncoloured. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. Developing the Source Code" that connects business strategy and customer insights to brand essence and product experience. The Neumann kms 105 is a popular choice among drummers due to its great sound and durability. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. Have a question or request? 3.7 out of 5. But as condensers are more sensitive than dynamic mics, they may not be the best choice for everyone. 0:00 Intro KSM8 User Guide - Shure It is also nice to admit the technological advancements implemented in this unit. With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments. The dual diaphragm design gives it one active and one passive diaphragm, so its also inspired, to an extent, by some of the classic fixed-pattern twin-diaphragm condensers. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. These marks may be registered in other jurisdictions. Where the magic happens! Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. This pneumatic shockmount employs tuned and damped cavities which are effectively pressurised by the sound waves which pass through the rear of the capsule and are then guided down into the shockmount itself. It may likely suffer from cosmetic defects, such as grille deformation and less likely scratches. Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. We joined PA in 2018, becoming part of one of the world's most capable networks of researchers, strategists, designers, engineers, and scientists. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. This mic has a number of features that make the overall experience even more enhancing First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. KSM8 Specification Sheet (English) - Shure Braunmhl-Webers innovative capsule design was patented in 1936, and introduced commercially as the famous M7 capsule employed in all of Neumanns early microphones. We have always believed these are the ingredients that inspire and shape real results for businesses and brands. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. I work with a female vocalist who is looking to upgrade her microphone. Learn More. . KSM8 in Nickel (G50) KSM8 in Black (G50) KSM9HS (G50) SM87 (G50) SM86 (G50) And don't forget about the optional SB900A rechargeable lithium-ion batteries . Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. The KSM8 retails for a couple of hundred dollars cheaper than its condenser counterpart, and is aimed at a slightly different consumer bracket. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. Shure KSM9 is a professional on-stage condenser mic. The standard voltage for phantom power is 48 V DC. 5:52 Thanks for Watching! However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. How vulnerable are these mics to dropping on the stage? England and Wales company registration number 2008885. AK8C. It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. 71 user ratings. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. This provides a clean and transparent sound, while generating a little more heat than other designs. At first glance it looks just like any other conventional stage vocal mic there's nothing in its styling that signposts the clever technology within. The KSM9 boasts a wide frequency range from 50 Hz to 20,000 Hz. At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. From those a reviewed, Heil PR35 would be the closest match in how it sounds while also being studio worthy. American Standard Pitch Notation, a true work of evil. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). An internal shock mount offers the kind of durability youd expect from a live mic. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. Not much help for the marginal types, though. SM58. 1:12 Shure KSM8 Only The Dummies Guide explanation is that the passive rear diaphragm acts as the first element of the acoustic labyrinth network, and provides significant compliance at low frequencies. Great write up. As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. Shure ( ) Svx288/Pg58 and if so what are your opinions. The diaphragm at the top of the capsule is a conventional active diaphragm with an attached coil of wire suspended behind it and sitting within a strong magnetic field. The casing has an integrated three-state pop protection grille, which acts like a pop-shield and reduces plosives, breath and wind noise. This microphonecan give a colossal improvement to your vocal and it actually deserves every dollar spent. Shure KSM8: Upgrade your Dynamic Game - zZounds Music Blog The lowest frequencies enter via the farthest entrance port, with mid and high frequencies entering through ports closer to the capsule. The KSM9 microphone typically runs around $700 in a wired configuration. The Shure engineers originally patented this technology over 50 years ago, and Shure is the only microphone manufacturer to successfully implement it. The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. More about the different types of microphones here. However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. It's the industry standard live vocal mic. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. Microphone sound absorption and reflection. KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. All you need to know about wireless microphones. Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. You can email the site owner to let them know you were blocked. I work with a female vocalist who is looking to upgrade her microphone. The user should not attempt to remove or replace this lining. Sweetwater's Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shure's KSM8 dynamic mic and KSM9 condenser mic. With solid internal engineering, it handles noise and feedback well. With its unique dual-diaphragm design, is Shures latest offering the greatest advance in dynamic mic technology since the Unidyne? You wont have the super resilience of a dynamic mic. Given the sensitivities of condenser mics, why would anyone risk using one on stage? See giveaway details & rules or check out our past winners! Hi Peter Web site designed & maintained by PB Associates & SOS. With two ultra-thin diaphragms and groundbreaking reverse airflow technology, the KSM8 Dualdyne delivers unmatched control of proximity effect, presence peaks, and bleed and requires minimal EQ and processing. This mic offers dynamic lows, balanced mids and sparkling highs. 27 Wormwood St 25 Feb/23. I was hoping to get a few opinions on these microphones. KSM9 vs. Beta 87A on UHF-R Wireless | Sound Forums . By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. Finally, dynamic mics are passive meaning they dont require any power. Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). Shure Ksm8/N A subsonic filter helps cut out any rumble from mechanical vibrations below 17Hz. Also, what's your use case, as this will probably help us guide you towards to best choice! Shure KSM9. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. The unique design of the Shure Dualdyne cartridge provides several benefits over traditional single-diaphragm dynamic microphones: With traditional microphones, low-frequency response increases as the performer moves closer to the microphone. At 191 mm (7.5"), it's slightly longer than the Shure SM58. However, some singers will need more control over the way their voice sounds. The legendary Dan Erlewine, luthier Gene Imbody and Berklees Tomo Fujita have shot a 6-point lesson video to help, Deadmau5 delivers his verdict on AI music production: Its scary in the sense of how stupid music already is anyway, It looks like Gibson is going to start selling vintage guitars including a '59 Les Paul Burst, Damon Albarn reveals that the beat from one of Gorillaz best-loved songs was an Omnichord loop preset, Jacob Collier offers Steve Vai guitar playing direction and watches as Willow screams down a microphone, "We are changing vintage guitar collecting forever": Gibson officially launches Certified Vintage program, Producer Mura Masa says that PinkPantheresss Boys A Liar was made in a couple of hours, and that he didnt know about the Ice Spice 'Pt 2' remix until he saw the video. 1.93 in. Last but not least is an interchangeable polar pattern. A dynamic microphone revolution that only Shure could stage. Many singers love its ribbon-like feel, and although it may turn out beneficial for screaming or growling with a metal band, in your case, for a clean vocal you may need a brighter mic, so that it can cut through a dense mix more easily, such as KSM9, which also offers supercardioid mode for improved rejection, as long as you fix it on a stand and dont move around much. If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Most industry standard desks or interfaces are capable of providing phantom power, which is sent through the XLR cable to the microphone. The KSM8 microphone is available in a black or brushed-nickel finish. The new technology allows for cleaner, more natural, and more prevalent vocals, especially when on stage with other instruments. Shure Audio Institute. The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. Shure KSM9 has a fantastic quality and it gives a very natural sound. Leveraging trend, user research, and other data, we turn ambiguity into clarity, define organizing principles, and chart trajectories for product offerings, brands, and businesses. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. This helps maintain richness and definition in the bass, without it becoming overwhelming. This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. Overall, the KSM8 is excellent for vocals but not quite the allrounder that the SM-series mics are. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . Given the absence, until now, of dual-diaphragm technology in moving-coil mics, it wont surprise anyone to learn that constructing such a design is extremely difficult, not least because of the need to squeeze the magnetic assembly between the two diaphragms, the spacing of which is restricted by the requirements of the internal acoustic structure. The dual-diaphragm microphone greatly reduces the proximity effect, and low-frequency response remains consistent with distance. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. Heres how it works. Every KSM9 I've seen has been switchable between cardioid and supercardioid. Follow Marcus Scott on social media Our team combines the holistic capabilities of researchers, designers, and engineers to craft and deliver solutions that align technical possibilities, market realities, and the needs and goals of people. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. A25E. email Sign up for our Newsletter; Shure Incorporated, 5800 West Touhy Avenue Niles, IL 60714 . Being music makers ourselves, we love geeking out on all things gear. Price $699. High sensitivity condenser mics are very good at picking up detail (both close-up and at a distance). Human factors engineering ensures that medical devices and combination products are safe, effective, and easy to use, while also ensuring that the products meet commercial and regulatory imperatives. Another big difference between the two mics is that the KSM8 has no switchable polar pattern its simply a cardioid mic. 3:06 Shure KSM9 Only If your audio interface or mixer doesnt provide phantom power, there is a solution: You can connect your mic to an external 48 volt phantom supply. If you have any questions not answered in this guide, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00 am to 4:30 pm, CST. What else do you need for your home recording studio? A very similar mic to the KSM9. In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. All in all the KSM9 has a durable, carefully considered design. For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. Shure KSM9 Shop now at Amazon. Off-axis frequency response is very smooth. Free Shipping. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. The science behind the Braunmhl-Weber capsule is a little complex, but if you want the full story with all the maths, Shure have produced a detailed white paper on the science and practical effects of the dual-diaphragm capsule, which can be found here: http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf. 5 () Are some types more durable than other similar in the live performance category? This makes them very different types of mic, each with their own internal circuitry. suggested Neumann KMS 105 Sennheiser e 965 Shure KSM8 Shure KSM9HS Shure Beta 87A Shure Beta 58A Shure SM57 Sennheiser e 835-S Sennheiser e835 Sennheiser e 835. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. This website uses cookies to improve your experience. Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working . However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. Shure KSM8 Dualdyne Vocal Microphone - FOH | Front of House Magazine A good condenser will give any vocalist the air and sparkle required to effortlessly cut through the mix. Condensers offer a higher output level than dynamic mics, but theyre a lot more sensitive to loud noises, handling noise, and tend to break more easily. Elegantly crafted products that are simple, useful, and desirable. Naturally, the latter influences the price greatly, and the KSM8 is consequently the most expensive moving-coil stage mic currently on the market.